Sounds o the kirk an court: early airt muisic in Scotland

Whither in Italy, Germany, France or England, muisic bi gate o court an kirk wis flourishin aw ower Europe i the Renaissance an Baroque periods. But what o Scotland? Wis it aw juist bagpipes, reels an fowk sangs? I pit on my speirer’s bunnet an haed a bit leuk . . .

Atween c1430 an c1750 — a time that comprehends twa muisical eras scholars caws the Renaissance an Baroque periods — Europe’s kirks an royal courts wis the patrons o ‘airt’ (or ‘clessical’) muisic. Tak, for instance, the liturgical muisic o the Renaissance, like the Masses an motets o Italy’s Giovanni Pierluigi da Palestrina (c1525–94). Or, efter in Germany, the fouthie outpit o J. S. Bach (1685–1750), that’s kent as the heidmaist componer o the Baroque period. Siccan dargs couldna hae been wrocht without the siller o the estaiblishment.

For maist o the time period we’re concernt wi Scotland wis yet a free-staundin kintra, an for about hauf o it haed a royal court steidit in Edinburgh. It gart me wunner (as a body that lang syne did a bit study o early European airt muisic) what wis gaun on in Scotland at yon time. The subject o liturgical or court muisic in our airt o the warld haed niver kythed i the year I studied the muisic o the period, an — I maun admít — I’d niver thocht tae leuk intil it afore nou. Haud on readin . . . “Sounds o the kirk an court: early airt muisic in Scotland”